This book offers intersectional, intergenerational and international perspectives on nonfiction film- and videomaking by and about women. Concentrating on the period between the 1970s and 1990s, the contributions examine practices that range from activist documentaries to avant-garde experiments. They explore how the moving image has been a crucial terrain of feminist struggle a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They meditate on the figure of the grandmother; reflect on realist aesthetics; discuss the issue of first-person expression; and ask what a feminist film historiography might look like.

Format: Paperback
Published: 2022 in USA
Publisher: MIT Press
Pages: 512
Language: English
ISBN 13: 9780262544528
ISBN 10: 0262544520